aTube processes a signal like analog valve hardware. This enables you to achieve a valve warming effect in your digital audio workstation. aTube can be applied to a complete mix or to individual tracks and is especially good for vocal tracks. You have several parameters at your disposal that allow you to control the level of input gain, the level and the color of the warming effect and an on/off button for the output soft clip limiter.

aStereolizer can be used to control stereo width to audio tracks or master channel. With this plug-in you can generate pseudo stereo from mono audio tracks. aStereolizer is a tool that encapsulates the complete range of standard stereo manipulation functions, including phase reversing, channel flipping, balance, pan and width.

aQ-31 is a traditional 31-band graphic equalizer plug-in with a clean sound. It has switchable gain range +/- 6/12/18/24 dB per band and Q-knob to adjust the filter's bandwidth; this knob allows you to make the equalizing curve more glossy or sharp.

aMS-ToolsPRO is a multi-band "Mid-Side" tool. Using this tool you can encode Left-Right stereo channels to Mid-Side, decode Mid-Side to Left-Right and adjust Mid-Side balance separately for 4 bands. aMS-ToolsPRO will make your sound wider.

These files contain both the guitar tab PDFs plus the play along MP3s (sometimes embedded in the PDF - you can extract them from inside Acrobat Reader).

I'm Looking for Renoise 2.5.
Someone has Renoise 2.5, I would love to get it.
Thanks

Thor Source V2 adds four meticulously sampled raw oscillator settings from the original Moog Source, new combinator patches, new backdrops and more. This awesome refill provides awesome thick and full synthesizer patches in the style of Moog's Source.

Time to reload your drums and get your beats pumpin out the box with this new collection of hard hitting Hip Hop drums created by professional engineers in the biz.

Smash Up The Studio have once again raised the bar where keyboard loops are concerned. This latest collection of piano phrases really does give the user access to the highest quality performances at a ridiculously low cost.

8 oscillators Virtual Analog VSTi Synthesizer featuring 4 layers, 2X oversampling/undersampling, built-in arpeggiator, sync, FM, 8 filter types, panning modulation, stereo delay and gate effects. Imports Nord Lead 2 SysEx data.

The VIENNA CONCERT GRAND reproduces in the finest detail the sound of the legendary Viennese piano. Adapted from Native Instruments legendary AKOUSTIK PIANO software and featuring high-quality recording of ten velocity layers per key this KONTAKT instrument produces a sound indistin- guishable from the original for expression and authenticity. Native Instruments' groundbreaking Sample Engine with Layer Morphing Technology allow the shaping of the piano to suit your own needs with high-end effects and control possibilities for the smallest tonal nuances.

Over 200 micro-groove loops designed for creating that swinging rhythm found in minimal and electro music. These sound sequences are a mix blend of ring-modulated drums and processed synthesizers that combine to create a unique style of patterns that are ideal for filling out your mix.

With the NEW YORK CONCERT GRAND Native Instruments presents a high definition reproduction of the Big Apple's most popular contemporary concert grand. Adapted from Native Instruments' legendary AKOUSTIK PIANO software, this recording captures a particularly special three-year-old piano in excellent condition, maintained by top specialists. Indistinguishable from the original in expression and authenticity, this KONTAKT instrument belongs to an elite club of outstanding re-creations. The intonation of the NEW YORK CONCERT GRAND is optimized for an easy playing style. Even with very fine keystrokes an impressive sound spectrum is generated, with perfect pianissimo nuances and rich variations. The NEW YORK CONCERT GRAND offers a particularly clear rendition with an amazing degree of flexibility in timbre and dynamics, and is perfect for solo piano, jazz, classical and many other styles.

SCARBEE JAY-BASS is the go-to source for slap and finger bass. This addition to the "powered by KONTAKT" range of instruments is an expertly played and sampled late 70s Jazz bass. Created by Thomas Skarbye. Based on the Scarbee Red Bass, it makes extensive use of the advanced scripting features introduced with the SCARBEE PRE-BASS. With three pick-up positions and a multitude of playing techniques, SCARBEE JAY-BASS has it all when it comes to slapped and fingered bass sounds. True-to-life sound is critical for realistic slapped and fingered bass; that’s why SCARBEE JAY-BASS is not just a collection of static sound samples. Utilizing recordings of the full strings of a late 70s Jazz bass, this instrument reproduces the timbre changes that occur when you move between low and high frets on the string of a real bass. In this way JAY-BASS delivers contrary "sweet spots" for a rich and vivid sound that's highly natural. JAY-BASS is so realistic that you can even slide between chords. Recorded through a DI the SCARBEE JAY-BASS is highly adaptable and fits easily in to the mix, with or without additional processing.