This bundle pack include: aMS-ToolsPRO VST v1.0.1, aQ-31 VST v1.0.1, aStereolizer VST v1.0.1, aTube VST v1.0.1

The Prime Loops Studio Team is extremely proud to announce the arrival of one of their most inspiring, genre-breaching sample suites to date: Guitar Anthology, a mind-blowing collection of 5 sample packs in one bumper package... and you're going to love what's inside!

Glitch Cuts is the latest release from the Prime Loops Team which contains over 1,000 dark, sporadic glitches, percussions, drums, and effects samples for modern music producers. Each sound has been made from scratch, and over 20 Hardware synthesizers have been used to create this Nu-Era Series release which boasts one of the most diverse and intricate collections of glitch material released to date.

The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from bass drums and guitars to vocals. The equalizer features a Low Frequency section made up of two low shelf filters which can be combined to attenuate and boost at the same time.

Premier Guitar is published monthly by Gearhead Communications, LLC, a privately owned company headquartered in Marion, Iowa. It is considered to be the definitive gear-centric magazine written for serious, accomplished players by serious, accomplished players. The magazine is your multimedia source for guitar news, in-depth gear coverage and instructional material and lessons.

Hi-Fi Choice is the essential guide to audio excellence in the home. It is a no-nonsense guide to the finest products available, from vinyl and valves, to multi-channel digital audio and high-fidelity video.

Club Toolz. Elite club sound supercluster!. Eclipse Expectations. Major amounts of consideration and endless tweaks have been injected into the development and design of this original cutting edge material for club music producers.

This pack include: Sonik Synth 2 VSTi RTAS 2.1.1, SampleTron VSTi RTAS 1.0.2, SampleTank 2 DXi VSTi RTAS 2.5.4, SampleMoog VSTi RTAS 1.0.2, Philharmonik DXi VSTi RTAS 1.1.2, Classik.Studio Reverb VST RTAS 1.1.1.

The unique atmosphere of Vietnam is captured in this new library. Recorded in Ho Chi Minh City, the rich traditional instruments and sounds on this disc are presented in Acid, Wav, Rex2, BATTERY, KONTAKT, & MACHFIVE formats.

As a composer, Oxide Kits Volume 2 will offer inspiration with percussive oddities, and musical noises, but it will also serve sound design needs as a stinger, and impact creation tool for film, television, and multimedia production. Playing a chord can often leave quite an impact. Mapped in industry standard formats, these kits are ready to be played, or further manipulated. Just a few envelope or pitch changes can lead to a whole new feel, and fit perfectly into your current project. With that in mind, a great deal of care was taken to make them useful as is, and what you hear in the audio demos is raw, unmastered output, created by using different kits from this collection.

Learn to play four classic Steve Vai tracks note for note. The tracks are from Dave Lee Roth's 'Eat Em And Smile' album, widely regarded to be amongst Steve's most influential playing. Tracks include Yankee Rose, Going Crazy, Ladies Nite In Buffalo and Big Trouble.

The worlds most expressive electric guitar library! Now you can really play electric guitar on your sampler with never before achieved realism and flexibility. This user-friendly CD-ROM set comprehensively covers all major styles including Rock, Funk, Techno, Industrial, Jazz, Blues, Reggae, Country, unique sound design and more! An incredible selection of multi-sampled notes and licks, ingenious programming and soulful expressiveness of all sounds make this library truly ground-breaking. Guaranteed to blow you away!

6 Banks of Synthetic Cycles for kontakt

After discovering a ridiculously bloated sample download of sounds for just 1 single analog keyboard, I felt it necessary to share these thoughts with the community. Take this short writeup for what it is, an opinion, and no matter whether you agree or not, do NOT attack this writer!
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As I said, I found that excessively large sample library some 14 pages down (as of July 14, 2010) and what I don't understand is that anyone would really want to download such a gigantic dead weight of a sample library when there are so many recreations of the Junos on synth engines like Reaktor, SynthEdit or Max/SMP. Why not install Reaktor 5 instead, which, with its library of modules, macros and instruments eats up less than 1 GB and use the various incarnations of the Juno from there. As an added bonus you also get the ability to play umpteen other fantastic analog synths, samplers, granular synths and recreations of the great machines from the 1980s and 1990s.

When a library of old analog sounds from a single synth as simple as the Juno106 gets to be this humongous, something has gone very wrong. I think this is abundant evidence that people have lost their creative touch, not to mention their ability to discriminate between what is normal and what is stupid. That is my opinion of most of these huge sample uploads of electronic instruments anyway. The only exceptions I will make are sounds that cannot be recreated electronically. The basic waveforms of a Juno (all versions) are Sines, Squares, Triangles and Sawtooths. Those simple waveforms can be captured in less than 10 KB, yes, really! Use those waveforms in a wave table in Reaktor and the rest is tweaking filters and envelopes.

What happened to the creative touch? Instead of doing some work it seems that today's "musician" must have every nuance and variation in a sound recorded as a sample. Why? Are we so lazy (or inept) that we no longer are able to turn a knob or two on our VSTs? Where are the great sound patches that people used to create? This state of affairs is underscored quite dramatically by the relatively low ratings that Native Instruments Reaktor, Absynth and FM8 received in The 17 best VST plug-in synths in the world article (Thanks for the link, the-rippa) where they scored a measly 11th, 13th and 15th place respectively. Clearly this is proof that musicians today loathe having to program their synths and have become point-and-click artists instead, addicted to samples. Laziness rules supreme.
I am sorry to notice this, and I am sure others have too, but it really looks like the once great Audioz web site is slowly devolving into an ordinary sound sample trash dump. :(

Pull up a desk at the New School of Fingerstyle Blues and let David Hamburger show you the right hand grooves and left hand moves that will take your solo fingerstyle chops to the next level and expand your repertoire at the same time. You'll discover the new world of fingerstyle blues and how to update traditional twelve-bar country blues and ragtime picking and keep everything funky, bluesy and soulful.

Step between the covers of the Fingerstyle Blues Handbook and let David Hamburger introduce you to the solo instrumental world of fingerstyle blues guitar. Ideal for lifelong flatpickers, this progressive series of lessons will soon have you thumping and grooving on twenty deep blue instrumentals, enough to keep you picking on the porch for hours on end.