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Bidule: The new standard in modular audio software
Is this a familiar picture? Cables lead from a microphone input into a small digital effect. More cables connect the effect to a mixer. Elsewhere, a MIDI cable links a MIDI input to a synthesizer, which is in turn connected to a mixer. Old hat, right? Now, imagine this: the same single output socket sprouting no less than eight different cables connecting eight different effects.
It gets better: A sound is broken down into 256 individual bands, then each is tweaked one at a time in a unique way. As he performs, a musician decides to add an LFO to a synthufs filter cutoff knob, where no LFO existed before. Sound crazy? Not anymore. The new paradigm of computer audio can be summed up in two words: "real-time" and "modular" -- both of which are embodied by one application...
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Is this a familiar picture? Cables lead from a microphone input into a small digital effect. More cables connect the effect to a mixer. Elsewhere, a MIDI cable links a MIDI input to a synthesizer, which is in turn connected to a mixer. Old hat, right? Now, imagine this: the same single output socket sprouting no less than eight different cables connecting eight different effects.
It gets better: A sound is broken down into 256 individual bands, then each is tweaked one at a time in a unique way. As he performs, a musician decides to add an LFO to a synthufs filter cutoff knob, where no LFO existed before. Sound crazy? Not anymore. The new paradigm of computer audio can be summed up in two words: "real-time" and "modular" -- both of which are embodied by one application...
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