When recording a Rhodes piano, nearly all, (or all?), instruments that has been recorded for a sampled instrument are lined. That means that you take the signal from the instrument, and feed it directly to the recording device. This means that you will get a very clean, bright signal. And that is, in itself, a good thing!

When Fender tuned and set up the Rhodes pianos on the factory, they used a Fender Twin as a preference amplifier. That was the way the where intended to sound. Personally, I'm used to feed my eardrums with the Rhodes/Fender Twin sound since my good friend Tomas Sunmo (remember Sunes L100à???) used to run his Rhodes through a Twin and we played together for a long time. (Tomas have now moved to southern Sweden and as a result, we don't play together and his children has a weird accent..) And since the piano used for the session was Sunes, well, it just had to be a Twin! The instrument was bought by Tomas back in the seventies, around -75 I think, and it's been in his care since then.

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